Thank you for visiting the Home Site of Tracy Singer. Tracy, in addition to being a triple threat, is a gifted choreographer creating original, exciting movement pictures on the stage. Especially adept at concept choreography, she has a magical way of making stories come to life through dance. Tracy's ability to work with staging creates powerful and thrilling production numbers and commercial pieces that are explosive!
Tracy sings an original a capella composition with David Davila: Click the link to listen and watch!
https://www.youtube.com/watch?feature=player_embedded&v=NUMnFFCwd98#!
Choreography for Midsummer Night's Amazons
Tracy N Singer, BFA DANCE
*Choreographer
*Comedienne, *Writer
*Actor, *Singer, *Dancer
NASM and ISSA Certified (Fitness Trainer)
EMail: [email protected]
Dance Technique; Ballet, Classical Jazz, Fitness w/Focus on Proper Form. Acting and Theatre Arts
- l[email protected] -
*Healer - Sports Science and Herbal Remedy background
Thank you for visiting the Home Site of Tracy N Singer. Tracy, in addition to being a triple threat, is a gifted choreographer creating original, exciting movement pictures on the stage. Especially adept at concept choreography, she has a magical way of making stories come to life through dance. Tracy's ability to work with staging creates powerful and thrilling production numbers and commercial pieces that are explosive!
GONNA BE DOING THAT COMEDY THING AGAIN. Catch me at New York Comedy Club around May 16th.
PERFORMANCE HISTORY:
Most recently, Spring of 2018, Tracy wrote and performed her stand-up at Greenwich Village Comedy Club and New York Comedy Club.
She created the role of Beverly i nTherapy Hour at Manhattan Repertory Theatre and performed her original choreography Floppy Moe's at MRT as well.
Tracy crerated more original choreography with BalaSole Dance Company at Alvin Ailey Citigroup Theatre performing What I Did With What You Left Me (Read a Review Here).
Other MRT roles include The Client in Mark Rosati's Skincare and Fiona in Phoebe Farber's Fiona's Plea
Directly after closing Fiona's Plea, Tracy was seen in Cranky Cabaret at Joria Studios, NYC singing Sondheim's Could I Leave You, from Follies, and I Want the Good Times Back from the Broadway version of The Little Mermaid.
Prior to Fiona's Plea, Tracy was seen in the role of Agatha in the original play "Appropriate Behavior" by Jacob Appel at the Manhattan Theatre Club.
Facebook "notes"
Clips from Tracy's first indie FEATURE FILM, The Kingsmen's Redeemer are available here: http://kingsmensredeemer.com/ "Death Row was just the Beginning"
Check out my unstructured blogs here: Blogspot.com: The Blank Page and here: Tracy's Wordpress Blog: Wickedtuff
GONNA BE DOING THAT COMEDY THING AGAIN. Catch me at New York Comedy Club around May 16th.
PERFORMANCE HISTORY:
Most recently, Spring of 2018, Tracy wrote and performed her stand-up at Greenwich Village Comedy Club and New York Comedy Club.
She created the role of Beverly i nTherapy Hour at Manhattan Repertory Theatre and performed her original choreography Floppy Moe's at MRT as well.
Tracy crerated more original choreography with BalaSole Dance Company at Alvin Ailey Citigroup Theatre performing What I Did With What You Left Me (Read a Review Here).
Other MRT roles include The Client in Mark Rosati's Skincare and Fiona in Phoebe Farber's Fiona's Plea
Directly after closing Fiona's Plea, Tracy was seen in Cranky Cabaret at Joria Studios, NYC singing Sondheim's Could I Leave You, from Follies, and I Want the Good Times Back from the Broadway version of The Little Mermaid.
Prior to Fiona's Plea, Tracy was seen in the role of Agatha in the original play "Appropriate Behavior" by Jacob Appel at the Manhattan Theatre Club.
Facebook "notes"
Clips from Tracy's first indie FEATURE FILM, The Kingsmen's Redeemer are available here: http://kingsmensredeemer.com/ "Death Row was just the Beginning"
Check out my unstructured blogs here: Blogspot.com: The Blank Page and here: Tracy's Wordpress Blog: Wickedtuff
As a DANCE COACH, PERSONAL TRAINER & TEACHER, Tracy is able to easily perceive nuances of opportunity for change in technique and placement, and even mental attitude, that can be sculpted to allow a dancer to improve and excel.
As a deeply feeling and highly intelligent human being, Tracy takes the development of stage roles to heart, creating characters that are real, multi-layered and believable.
Tracy is available to teach ballet, tap, theatre dance, jazz, modern, vocal coaching and basic piano/introduction to music, as well as Theatre Arts and Acting 101.